SYNOPSIS
In 1999, the Vatican revised the official rite of exorcism text for the first time in over 400 years.
The number of Catholic exorcists in Italy increased from 30 to 300 over the last decade.
The Roman Catholic Archdiocese of Chicago recently appointed the first full-time official exorcist in its 160-year history.
In New York , four Catholic priests have officially investigated over 40 cases of possession since 1995.
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In an extremely rare decision, the Catholic Church officially recognized the demonic possession of a nineteen-year-old college freshman. Told in terrifying flashbacks, THE EXORCISM OF EMILY ROSE chronicles the haunting trial of the priest accused of negligence resulting in the death of the young girl believed to be possessed. Inspired by true events, the film stars LAURA LINNEY as Erin Bruner, the lawyer defending Father Richard Moore (TOM WILKINSON), the priest who performed the controversial exorcism.
Emily Rose (JENNIFER CARPENTER) leaves her sheltered rural home to attend college with no possible inkling of what awaits her. Alone in the dorm one night, she has her first terrifying ‘hallucination’ and blackout. As her attacks become ever more frequent and severe, Emily, a devout Catholic, chooses to undergo an exorcism conducted by her parish priest, Father Richard Moore. When the young girl dies during the terrifying exorcism the priest is charged with negligent homicide. When the young girl dies during the terrifying exorcism, the priest is charged with negligent homicide.
Erin Bruner, a high-profile defense lawyer reluctantly agrees to represent Father Moore in exchange for the guarantee of a partnership at her law firm. As the trial progresses, Erin ’s cynicism and atheism are challenged by Father Moore’s unwavering faith and by the eerie, inexplicable events that surround the case.
Review by
ELISABETH LEITCH
If I were like most people reviewing The Exorcism of Emily Rose, I would compare it to other horror films. The problem is, for the most part, I have not seen them. I have avoided them at all costs. And, had I not been given the opportunity to attend the press junket for The Exorcism of Emily Rose, I probably would have avoided this one as well.
It isn’t that I have anything against horror movies. In fact, I have a great respect for the way horror films are able to convey some of the deepest messages about good and evil within all cinema. My problem is, horror movies scare me, and I don’t like to be scared. Imagine my surprise when I finally watched The Exorcism of Emily Rose and was able to return to an empty hotel room in strange city and easily sleep through the night.
It wasn’t that the movie didn’t scare me. Just ask anyone sitting near me during the movie. So the questions was—Why wasn’t I still scared after the movie ended? And the answer I found that made the most sense to me—Even at the beginning of the movie, the true terror was actually over with already, and as I saw it, its opponent had clearly won.
If you didn’t figure it out from previews, Emily Rose is dead when the movie begins. The movie itself is framed by the trial of a priest accused of her negligent homicide. Most of the scenes in the preview that scared me so much—flashbacks and remembrances of witness testifying about Emily’s “condition.”
Framed by a trial, The Exorcism of Emily Rose is immediately set apart from almost every other horror film that has been made. In fact, it is probably the only courtroom horror film ever made. From this minor setting difference, however, comes a unique twist on the “exorcism movie”—instead of showing us demons and spiritual attacks as an unquestioned reality, the movie and its characters take that assumed reality and question whether the demons Emily faced were actually spiritual at all.
For most people, this debate is what truly sets The Exorcism of Emily Rose apart. With one side arguing for a logical/scientific explanation of Emily’s “problems” and the other arguing for a spiritual explanation, we, as viewers, are not buckled in for a ride. Instead, we are pulled into an intellectual and moral dilemma that leads us not only to ponder the questions of Emily’s death, but the bigger questions it asks about life itself. Are there spirits? Is there a Devil? And is there a God?
Unlike many horror films, the horror we see Emily endure is excruciatingly realistic. Jennifer Carpenter (Emily) actually performs almost every physical stunt and voice completely on her own, and because of this, both options for her suffering remain believable. Portraying Emily’s suffering from many points of view, however, the filmmakers also make great use of colors and artistry to give a more demonic feel to some scenes and a more scientific and logical feel to others.
With its structure, its script, and its artistry, this film did an amazing job of making me think about possibilities. In the end, however, the conclusion I came to is that whether Emily’s problem was purely medical or purely spiritual, I believe she was most definitely dealing with demons.
As Father Moore says to his attorney Erin Bruner, “Demons exist whether you believe it or not.” Beyond just that, this movie left me thinking that demons exist whether they look like spiritual forces or not. In most of our lives we call them “personal demons” or struggles. As Laura Linney (Brunner) says, “regardless of who you are and what your religious affiliation is…every person has personal demons, everybody, everybody, everybody…”
Are these demons always evils spirits attacking us? I don’t know. But what I do know is that they take control of us and of our lives. They can torture us and certainly steer us off the path that we know we should be on. Maybe they are medical, maybe psychological, maybe spiritual, and maybe they are a mixture. At the end of The Exorcism of Emily Rose, however, the movie left me not thinking about the torture these demons inflicted upon Emily, but rather the end that they actually met.
The movie is filled with scenes of Emily’s heart wrenching suffering. The whole time we watch, however, Emily is already dead. Maybe medicines didn’t work, maybe the exorcism didn’t either. But regardless of why they did not, in the end, she is released from whatever tormented her, and I believe in a better place.
Bruner also deals with her own demons throughout the movie. She is lonely. She is stressed. She drinks too much. And what she does for a living is starting to weigh her down with guilt. Then this case comes into her life. She is not sure what she actually believes about it, but in the end, a locket she “coincidentally” finds gives her security and she is able to let go of the life that weighed her down.
Even Emily’s boyfriend Jason would not trade in knowing Emily to avoid witnessing the torture she went through. “She [Emily] woke me up to things I couldn’t feel before,” says Jason. “I never knew how dead I was before I met her.”
At the end of the trial as a verdict is given and a sentence handed down, the judge utters one of the lines that is still going through my head, “You are guilty Father Moore and you are free to go.”
In this life, there are so many things that can control us. They can hit us on many levels—physically, emotionally, mentally, spiritually. Whatever they are, they throw us off course, make life more difficult to lead, and in one way or another, keep us from leading the life we should.
The Exorcism of Emily Rose is about these things that control us. At the same time, the movie that I watched was just as much about deliverance from these very horrors. It may be through medicine, through other people, through events, through so-called coincidences, through almost anything. Whatever its form, however, the deliverance I saw in The Exorcism of Emily Rose was hard to see as anything but a part of something bigger.
As Bruner say to the court in her closing statement: “Either there is a God or there is not”…and as I think back to the events of this movie, whatever their cause or whatever their nature, I cannot believe anything but that there is God, and that that God wants nothing more than to deliver us from whatever we face, whatever that deliverance may or may not look like.