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Movies: Walk the Line

February 6, 2006

SYNOPSIS

“Locusts and honey ... not since John The Baptist has there been a voice like that crying in the wilderness. ... “
- U2’s Bono in the liner notes for The Essential Johnny Cash

In 1955, a tough, skinny guitar-slinger who called himself J.R. Cash walked into the soon-to-be-famous Sun Studios in Memphis. It was a moment that would have an indelible effect on American culture. With his driving freight-train chords, steel-eyed intensity and a voice as deep and black as night, Cash sang blistering songs of heartache and survival that were gutsy, full of real life and unlike anything heard before.

That day kicked off the electrifying early career of Johnny Cash. As he pioneered a fiercely original sound that blazed a trail for rock, country, punk, folk and rap stars to come, Cash began a rough-and-tumble journey of personal transformation. In the most volatile period of his life, he evolved from a self-destructive pop star into the iconic “Man in Black” -- facing down his demons, fighting for the love that would raise him up, and learning how to walk the razor-thin line between destruction and redemption.

The story of the young Johnny Cash and his incendiary love affair with June Carter Cash, comes to life in WALK THE LINE, directed by James Mangold (Heavy, Cop Land, Girl Interrupted, Identity) from a script by Mangold and Gill Dennis (Riders of the Purple Sage), based on Cash’s books Man in Black and Cash The Autobiography. The film is produced by Cathy Konrad (Citizen Ruth, Beautiful Girls, Scream, Cop Land, Girl Interrupted, Identity) and James Keach (The Stars Fell on Henrietta),and was developed for seven years with the close cooperation of Johnny Cash and June Carter Cash before their deaths in 2003.

“WALK THE LINE stars Academy Award and Golden Globe nominee Joaquin Phoenix as Johnny Cash and Golden Globe nominee Reese Witherspoon as June Carter. Phoenix and Witherspoon sing every note of their roles themselves in live performances that capture the spirit of the music that drove Johnny and June’s relationship.

The story begins in Depression-era Arkansas, as the film traces the origins of Cash’s sound back to his beginnings as a sharecropper’s son; moves through his wild tours with rock and roll pioneers Elvis Presley, Carl Perkins, Roy Orbison, Jerry Lee Lewis and Waylon Jennings; and culminates in his unforgettable 1968 concert in Folsom Prison. He became the hottest artist of the day, outselling even the Beatles. WALK THE LINE chronicles the birth of a new kind of American artist who had to move past raw anger, the ravages of addiction, and the temptations of stardom to discover the voice that would make him a hero to generations. Those early years encompass the themes that ran through Cash’s music and minimalist style: death, love, treachery, sin, hope and faith.


Review by
JACOB SAHMS

“Joaquin Phoenix gets my vote for Best Actor, having seen the Johnny Cash biopic, Walk the Line, but my admiration for the movie goes beyond acting. Here, the fictionalized rise to fame of Cash doesn’t get much polish—Cash is no saint, no choir boy. But the beauty of the movie (call me crazy) is that there is a story of human fall and redemption involved that rises above one individual’s story, beyond the movie’s focus on Johnny Cash, rockstar. This movie works because it strives to define the roots of human failure, even as it highlights the very definition of salvation and redemption.

We learn early on that Johnny knows all the hymns, but that his brother, Jack, is the ‘good’ one because he knows all the Scriptures. Jack’s untimely death, and Johnny’s indirect involvement, drive his father, Ray (wickedly played by Robert Patrick), to cry out that Satan is in control because the wrong son was taken. Not much pressure to live with AS A TWELVE YEAR OLD! Ray is a hard-working, hard-drinking farmer who Johnny wants to relate to but whom he can never please. He represents the past that Johnny can’t get away from and embodies the voice (in all of us) that says you’ll never be good enough, you’re not worth it.

Vivian (Ginnifer Goodwin) becomes Cash’s first wife, even after Johnny doesn’t really ‘measure up’ to her father or her expectations…and this spells T-R-O-U-B-L-E. The Cashs have children together, and she definitely stays longer than one might expect, from the very beginning of their marriage, it is obvious that Vivian and Johnny are aimed at different goals. Vivian wants Johnny to have a safe, steady job while Johnny dreams of singing his songs for other people. And we know where this is going, because it’s the story of Johnny Cash.

“The first song Cash wants to record gets shot down as ‘gospel,’ and ‘gospel just won’t sell.’ The recording studio boss tells him to play the song he would sing if he was lying in the gutter about to die, with one song to show God and other people what he was all about. From this launching point, Cash’s passionate pursuit of life through music goes public. It seems that in this crucial moment, the gospel (used broadly) is being presented by Johnny to the world, without sounding gospel-like. Rather than being ‘gospel-lite,’ the songs of Johnny Cash present the place where life, love and God cross paths—a tradition embraced now by U2, Switchfoot, and others.

Of course, there wouldn’t be a movie if Cash’s life was all roses. He struggles (and loses) with alcohol, prescription drugs, and lusting after random women, driving a wedge within his own family and damaging his own soul. June Carter (Reese Witherspoon) rebuffs his advances (at first) and challenges him to take control of his own life. After she has surrendered to his lure, she attempts to intervene with his drug use but he spirals downward until he has lost everything. His drug use still appears to be an attempt to dull the pain of his brother’s loss and his father’s loathing, but for a man with so much to lose, he still couldn’t make the decision to change.

“A baptism by water and tractor finally allows June the moment she needs to intervene…literally. Having survived withdrawal, Johnny looks June in the eyes endearingly, only to hear her say, ‘God gave you a second chance; what are you going to do with it?’ Here, tough love serves to be the necessary tool by which Cash will be freed of his sins and the sins of others. June Carter loves Johnny unconditionally, in ways that we (and she) may not understand. She exhibits the gospel of love and forgiveness could not be more fully depicted. The two attend church, he stays drug-free, and their marriage (it’s history!) become fact.

“Walk the Line provides more than a backstage pass to Johnny Cash, rock star—it provides the testament of a life wrecked and rebuilt that many will understand. We all have someone or something we’d like to be, but haven’t been yet. We all have demons in our closet or under our bed or in pictures on the wall that hold us back from who we hope to be. The truth of Johnny Cash’s story is in the failure, because that makes the success of who he was even more sweet. I hope that anyone who reads this review and all who see the movie will see a man who made mistakes, who was loved unconditionally and recognized that love, and embraced humility in celebrating new life.


WALK THE LINE

A Musical Bible Study Guide

Music, Movies & Meaning

The Soundtrack to Johnny Cash’s Rocky, Faith-Fueled Life

By Craig Detweiler

What is the line? How do we walk it? And what happens when we cross it? Johnny Cash’s life demonstrates the perils of straying from the path and the long road to get back on track. The new biopic Walk the Line chronicles the twists and turns of the legendary singer’s formative years. It offers a rollicking soundtrack, riveting performances and a moving story of friendship and love. Yet, like Cash himself, the movie never resorts to easy sentimentality. It is authentic to the core, going so far as to demand original vocals from its young stars. Joaquin Phoenix and Reese Witherspoon go beyond imitation, to embody the spirit of both Johnny Cash and his feisty wife, June Carter. Walk the Line is a story of hard fought redemption. It celebrates how patient love eventually overcomes the most resistant of forces: the human heart.

Johnny Cash was one of the original rock and roll pioneers, a seminal part of Sam Phillips’ Sun Records. Johnny’s contributions to American music rival those of Elvis Presley. In fact, Cash and Presley are the only two musicians inducted into both the Rock and Roll Hall of Fame and the Country Music Hall of Fame. Cash merged multiple musical traditions, adapting the sounds of gospel, blues and country into a heady rockabilly stew. His rebellious spirit echoes even in the defiant strains of rap and punk rock.

Walk the Line traces Cash’s musical evolution, recreating the vibrant era when rock and roll was born in Memphis, Tennessee. Yet, it also follows the poignant and passionate struggle for love between Johnny and June. As performers married to others, they labored with temptation, channeling their sexual tension into classic songs. Walk the Line provides a powerful introduction to the enduring musical legacy of Johnny Cash.

This musical guide is designed to enhance your appreciation of the film and Cash’s music. It will also go further in revealing how Johnny and June’s Christian faith sustained and inspired them. Based upon Johnny’s autobiographies, Walk the Line portrays Cash as more sinner than saint, but it ultimately celebrates the power of love to redeem even the most broken of men. U2 front man Bono once said, “Johnny Cash doesn’t sing to the damned. He sings with the damned, and sometimes you feel he might just prefer their company.” Walk the Line serves as a powerful reminder of the choices we all face, the cries to God we all make. We’ve all crossed lines that we later regret. It is my prayer that in following the lines that Johnny Cash walked, you may determine what line you are walking.

1. THE LINE OF CIRCUMSTANCE

Henry Wadsworth Longfellow succinctly stated, “Into each life, some rain must fall.” In our youth, we have all had negative experiences and tragedies that define who we are. In the case of Johnny Cash, the death of his brother forced him to grow up fast.

Walk the Line begins in 1944, with Johnny as a child of poor cotton farmers in Dyess, Arkansas. Early on, the Cash family must cope with the accidental death of Johnny’s brother Jack, a dedicated Christian who intended to go into full-time ministry. On his deathbed, Jack asks Johnny, “Do you hear the angels?” Furthermore, Johnny’s father deepens his sorrow by declaring, “The devil did this. He took the wrong son.” While this experience clearly scarred Cash, affecting his relationships down the road, Johnny eventually was able to express his suppressed feelings in a song years later.

PLAY: “Daddy Sings Bass” by Johnny Cash, and listen to his sorrow. The song begins with the harsh reality that, “Little brother has done gone home,” but “Singing seems to help a troubled soul.” It focuses upon the heavenly hope that, “One of these days, it won’t be long. I’m gonna join the family circle at the throne.”

The Bible is full of stories of people who suffered tragedy and tribulation and how those experiences defined them. A good example is the story of Job, who literally had everything taken from him. At one point, he laments, “My spirit broken, my days are cut short, the grave awaits me.” (Job 17:1)

But in The New Testament, Jesus’ loving sacrifice changed all that by promising those who believe eternal life. In short, this gift renders any pain and suffering we experience as merely temporal.

READ: John 16:20-22

20 I tell you the truth, you will weep and mourn while the world rejoices.

You will grieve, but your grief will turn to joy.

21 A woman giving birth to a child has pain because her time has come;

but when her baby is born she forgets the anguish because of her joy that a child is born into the world.

22 So with you: Now is your time of grief, but I will see you again and you will rejoice, and no one will take away your joy.”

Johnny Cash eventually learned how to walk the line of grief and sorrow. He stopped blaming himself for his brother’s death and transcended his earthly father’s judgment. Eventually, he turned this sorrow into something joyful.

DISCUSS: What’s the line that you’ve been forced to walk through no fault of your own – a death, abuse, an absentee parent? How has that experience defined you, both negatively and positively? What has been a sorrowful moment in your life? Is there yet a silver lining to the sorrow you’ve experienced?

2. THE LINE OF HONESTY

One of the hallmarks of Johnny Cash’s music is that it is brutally honest. In fact, Quentin Tarantino said this about the frankness of Cash’s music: “I’ve often wondered if gangsta rappers know how little separates their tales of ghetto thug life from Johnny Cash’s tales of backwoods thug life.” Cash’s music resonated with his listeners because it was true – no matter how much the truth hurt.

PLAY: “Folsom Prison Blues” by Cash. The cutting lyric, “I shot a man in Reno, just to watch him die” gets to the murderous instincts lurking in all of us. He tells an ugly but genuine truth about the human condition and his own heart.

Evident throughout the film, however, is that this genuine transparency didn’t translate to his personal life. More often than not, Cash found himself hiding behind the masks of drugs and alcohol and pretending to be something he wasn’t – a faithful husband, a devoted father and even a good friend. Once in an interview, Cash admitted, “I used to sing all those gospel songs, but I really never felt them. And maybe I was a little bit ashamed of myself at the time because of the hypocrisy of it all: There I was, singing the praises of the Lord and singing about the beauty and the peace you can find in Him – and I was stoned.”

Cash’s life eventually takes off when he stops pretending to be something he is not and accepts himself, for better or worse. He finds value in the music he is creating, realizes the important of friends and family and is able to deepen his relationship with God.

READ: Psalm 139: 1-16

1 O LORD, you have searched me
and you know me.

2 You know when I sit and when I rise;
you perceive my thoughts from afar.

3 You discern my going out and my lying down;
you are familiar with all my ways.

4 Before a word is on my tongue
you know it completely, O LORD.

5 You hem me in—behind and before;
you have laid your hand upon me.

6 Such knowledge is too wonderful for me,
too lofty for me to attain.

7 Where can I go from your Spirit?
Where can I flee from your presence?

8 If I go up to the heavens, you are there;
if I make my bed in the depths, [ a] you are there.

9 If I rise on the wings of the dawn,
if I settle on the far side of the sea,

10 even there your hand will guide me,
your right hand will hold me fast.

11 If I say, "Surely the darkness will hide me
and the light become night around me,"

12 even the darkness will not be dark to you;
the night will shine like the day,
for darkness is as light to you.

13 For you created my inmost being;
you knit me together in my mother's womb.

14 I praise you because I am fearfully and wonderfully made;
your works are wonderful,
I know that full well.

15 My frame was not hidden from you
when I was made in the secret place.
When I was woven together in the depths of the earth,

16 your eyes saw my unformed body.
All the days ordained for me
were written in your book
before one of them came to be.

God already knows us. He knows our comings, our goings, our every thought. There is no point in hiding anything from Him. He’s drawn to us in our weakness, not in our invented perfection. It’s this openness and vulnerability that draws others to us, as well. Although it took him a while to accept this truth personally, Johnny Cash learned it early on in his musical career. A magical moment in the movie occurs when Cash auditions for record producer Sam Phillips. Cash sings a gospel song but fails to impress Phillips. The producer challenges Johnny to “sing something real, something you felt. That’s the kind of song that truly saves people.”

DISCUSS: Are you honest with yourself about who you really are? In what simple ways do we mask ugly truths about ourselves? Is the knowledge that God knows everything about you frightening or liberating?

3. THE LINE OF TEMPTATION

If you have ever seen VH-1’s BEHIND THE MUSIC, then you know the life of a musician on the road is tough. It almost seems as though every band has its own story of bottoming-out with drugs, money, women and other excesses that seriously jeopardize both family and career. Johnny Cash was no different. As a new rockabilly idol, Cash enjoyed the adoration of his female fans. But back in Memphis, his wife, Vivian, and young daughter, Roseanne, grew increasingly distant from his thoughts.

PLAY: “I Walk the Line” by Cash – his first No. 1 hit (in 1956) written as if to ward off the temptations of adultery.

Can you hear the tension in Cash’s voice? He vows to, “Keep a close watch on this heart of mine.” But notice the duplicity in a lyric like, “I keep my eyes wide open all the time.” By the time he affirms, “I find it very, very easy to be true,” one can almost sense how he has deceived himself. The movie suggests that his assertion that, “I find myself alone when each days through” was a blatant lie. Cash wrote “I Walk the Line” out of crossing the line rather than walking it.

As the movie progresses, Johnny admits his growing affection for (even obsession with) June Carter. While their onstage duets create serious sparks, a song like “Jackson” confesses the failures of both of their marriages: Young love doesn’t survive under the strain of touring.

PLAY: “Jackson” sung by Cash

Johnny and June sing Jackson as a duel confession. “We got married in a fever,” the fever of young, immature love. Now that the fire has gone out, Johnny admits his plans to go to Jackson and “mess around.” June says, fine, “Go ahead and wreck your health, make a big fool of yourself.”

If adultery almost unravels Cash’s marriage, his addiction to pills take him even further into an abyss. Years later, Cash said, “Drugs are so deceptive. It’s like a demon that say, ‘Hey, I’m so pretty, look at me, I’ll make you feel better! Take me.’ When you’re on that stuff one is too many and a thousand is not enough.”

Director Quentin Tarantino noted, “Cash sings tales of men trying to escape. Escape the law, escape the poverty they were born into, escape prison, escape madness, escape the people who torture them. But the one thing Cash never lets them escape is regret.” In his own life, Cash ended up with plenty of regrets: A failed marriage, a drug arrest, pushing away his one true love, June Carter, for so long. Essentially, Johnny became a prisoner in a cell on his own making.

Giving in to temptation is what leads to regret. The Bible provides numerous warnings about giving in to temptation, but God does make one very important promise to us:

READ: 1 Corinthians 10:13

13 No temptation has overtaken you except what is common to man.

And God is faithful; he will not let you be tempted beyond what you can bear.

But when you are tempted, he will also provide a way out, so you may be able to endure it.

DISCUSS: What tempts you? Is 1 Corinthians 10:13 true – does God provide a means of escape from all temptation?

4. THE LINE OF LOVE

To confess our love for others is a risk. To allow ourselves to be loved is also risky. The potential for disappointment and heartbreak is always high, and June Carter knew that getting involved with Johnny Cash would test her like never before. Having already endured two divorces, she had plenty of reasons not to trust, not to risk, not to love. Looking back upon that uncertain period of their life, June wrote, “It took such a long time of praying and of walking away when I knew from first looking at him that his hurt was as great as mine, and from the depths of my despair, I stepped up to feel the fire and there is no way to be in that kind of hell, no way to extinguish a flame that burns, burns, burns. And so came the song, “Ring of Fire.” In this song, June outlines the dangerous side of love – the fine lines between love and lust, salvation and damnation.

PLAY: “Ring of Fire” sung by Cash (written by June Carter).

June and Johnny had to overcome a terrible test –his drug addiction. At his lowest point, June was there for him. It was the power of love that gave her the strength to stand by Johnny and witness the darkest time of his life. June confessed in the liner notes to a collection of Cash’s love songs, “There was so much hurt for both of us and hurt for those we loved that only God could have pulled us out of that ‘Ring of Fire.’ ”

READ: Psalm 23:4

Even though I walk
through the valley of the shadow of death, [ a]
I will fear no evil,
for you are with me;
your rod and your staff,
they comfort me.

DISCUSS: Have you ever done anything crazy in the name of love? Can you think of a time when someone has stood by you because of love? What makes risk such an inseparable companion to love?

5. THE LINE OF SALVATION

Ultimately, Johnny Cash learned to stop trying to beat his addictions on his own. He had to admit his need and acknowledge his weakness. The admission of his mistakes and the transparency of his faith made Cash all the more endearing to his fans. In 2000, Cash told Rolling Stone Magazine “There is a spiritual side of me that goes real deep, but I confess right up front that I’m the biggest sinner of them all.” Bono once said, “Big John sings like the thief who was crucified beside Christ, whose humble entreaties had Jesus promising that night he would see paradise.”

The resurrection of Cash’s career, and even hid life, began with a live concert at Folsom Prison in 1968. For the first time in a long time, he didn’t just sing the lyrics of his songs … he felt them. There, he performed a gospel song penned by a prisoner at Folsom, Glen Shirley.

PLAY: “Greystone Chapel” by Cash.

Cash sings, “You wouldn’t think God had a place here at Folsom, but he’s saved the soul of many lost men.” Johnny believed in singing to prisoners because he believed in forgiveness, second chances, amazing grace. In the chorus, Johnny sings, “Inside the walls of prison, my body may be, but the Lord has set my soul free.”

READ: Ephesians 2:8-10

8 For it is by grace you have been saved, through faith – and this not from yourselves, it is the gift of God – 9not by works, so that no one can boast.

10 For we are God’s workmanship, created in Christ Jesus to do good works, which God prepared in advance for us to do.

Like many of us, Johnny Cash had to go through painful experiences in his life to understand forgiveness and grace of God. We all must endure such trials and tribulations to realize our own frailty and inability to save ourselves.

DISCUSS: A tangible result of Johnny Cash’s salvation was his lifelong desire to comfort prisoners. Is there an example of faith leading to action in your own life? What is the relationship between faith and your deeds?

6. CONCLUSION

While Walk the Line is a love story, Cash’s story is one of self-awareness. Johnny had to come to grips with the circumstances of his youth, with the consequences of his own choices, with temptation and with failure. In the end, it was the power of love that set him free – the love of June Carter, for her man, and the love God had for his creation.

Before his death, Cash wrote a searing meditation on the finality of life:

PLAY: “The Man Comes Around” by Cash

READ: I Corinthians 13:12

12 Now we see but a poor reflection as in a mirror; then we shall see face to face. Now I know in part; then I shall know fully, even as I am fully known.

True love requires absolute truth. God knew Johnny Cash inside and out. June Carter knew Johnny Cash through and through. When Cash finally embraced being fully known, his life was changed forever.

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Walk the Line
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